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Curated by Manuel Borja-Villel and Soledad Liaño, the exhibition focuses on Kentridge’s stage work – including theatre, opera and performance – and uses it as a lens through which to approach his sculptural projects.In its broad selection of materials and media, the show pays heed to the synergies between the artist’s visual art and stage work, in addition to the particular focal points and formalisations set out in each project.
Similarly, as a seminal figure in post-apartheid contemporary South African art working in a variety of media – including video, painterly and photographic mediums, and performance – Tracey Rose’s commissioned performance will act as a continuation of her practice and exploration into the intersections of race, gender and identity politics.
Work by Kendell Geers can be seen in the Consortium Biennial Projects section of the event which is co-presented with White Box Arts Centre. The Museo Nacional Centro de Arte Reina Sofía in Madrid hosts a solo show, William Kentridge.
Enough and More Than Enough (1 November – 19 March).
The work, titled Procession of Reparationists, is inspired by the ex-industrial vocation and workers of the Great Reparations Officine.
The black metal sculpture consists of a procession of figures with a strong significance and symbolic value, as it alludes to the work of repairing trains and bodies.
William Kentridge speaks at the Fak’ugesi African Digital Innovation Festival in Johannesburg (6 September).
Kentridge engages with question surrounding the creative potential of virtual reality within the field of contemporary art practice and production, and the potential inter- and multidisciplinary practices that exist between the arts and digital technology.Nine Goodman Gallery artists – Ghada Amer, Hasan and Husain Essop, Kendell Geers, Samson Kambalu, William Kentridge, Liza Lou, Misheck Masamvu, Yinka Shonibare marks the opening of the first major museum in Africa dedicated to contemporary art.This show is the first in the museum’s initiative to host international exhibitions, while developing educational and enrichment programmes, encouraging intercultural understanding and facilitating access for all.Work by Kentridge is included on the Harn Museum of Art’s group exhibition, Poetic and Political, at the University of Florida in Gainesville, Florida (15 August – 8 July).explores two realms of perception often considered oppositional but more likely to work in tandem to make a rich, provocative and compelling visual impact.The artist also delivers , a lecture-performance at Bruges’ Concert Hall on 17 October.